The majority of filmmakers and cinematographers shooting in widescreen sought to reap the advantages of the additional width by lining up all the characters that would probably fit in the frame and by including more material to the mise-en-scène. Others, similar to Jean-Luc Godard and Hitchcock, employed their own distinctive cinematic styles when using the new format. In Le mépris , for example, Godard appears to defy the movie’s width, establishing off-screen area whereas using only a fraction of the frame, and panning, somewhat than merely fixing upon, landscapes. For Godard the widescreen supplied a method for compositional counterpoint. Hitchcock, in a special vein, remained true to his dedication to the principles of montage and thus reduce even his widescreen films in ways in which were not typical for this period.

History Of Technology

Coding boot camps once seemed like the golden ticket to an economically safe future. U.S. Says …